Thomas Campbell (poet)

Thomas Campbell (1777-1844). Portrait by Sir Thomas Lawrence (1769-1830). Courtesy Wikimedia Commons.

Thomas Campbell
Born	27 July 1777 Glasgow, Scotland
Died	15 June 1844 (aged 66) Boulogne, France
Nationality	Scottish
Period	1790s-1840s

Thomas Campbell (27 July 1777 - 15 June 1844) was a Scottish poet, who is chiefly remembered for martial and sentimental poetry dealing with human affairs. He was also an initiator of the plan to found what became the University of London.

Life

Overview

Born in Glasgow, Campbell was the youngest son of Alexander Campbell, a merchant of that city. After leaving Glasgow University, where he gained some distinction by his translations from the Greek, and acting for some time as a tutor, he went to Edinburgh to study law, in which, however, he did not make much progress, but gained fame by producing in 1799, at the age of 21, his principal poem, The Pleasures of Hope. In spite of some of the faults of youth, the vigour of thought and description, and power of versification displayed in the poem, as well as its noble feeling for liberty, made it a marvellous performance for so young a man. His other larger poems are Gertrude of Wyoming (1809), O'Connor's Child, and Theodric (1824). It is not, however, for these that he will be chiefly remembered, but for his patriotic and war lyrics, "Ye Mariners of England," "Hohenlinden," and "The Battle of the Baltic," which are imperishable. Campbell was also distinguished as a critic, and his Specimens of the British Poets (1819) is prefaced by an essay which is an important contribution to criticism. Campbell resided in London from 1803 until the year of his death, which took place at Boulogne, where he had repaired in search of health. In addition to the works mentioned he wrote various compilations, including Annals of Great Britain, covering part of the reign of George III. In 1805 he received a Government pension, and he was Lord Rector of Glasgow Univ. 1826-29. He is buried in Westminster Abbey.

Family

Campbell was born in High Street, Glasgow, in a house long since removed. He was the youngest of a family of 11, and was born when his father was 67 years old.. Alexander Campbell, the father, was 3rd son of Archibald Campbell, the last of a long line to occupy the family mansion of Kirnan in Argyll. Alexander Campbell being trained to commerce, and having gained a valuable experience in Virginia, settled in business in Glasgow with a partner named Daniel Campbell, whose sister Margaret he married. Thus the poet's father and mother were both Campbells, and belonged to the same district of Argyll, though their families were not related.

The firm of Alexander & Daniel Campbell did a prosperous Virginia trade, till heavy losses, consequent on the American war, brought the business to an end, and well-nigh ruined both families. The affairs of the firm being honourably settled, it was found that Alexander and Margaret Campbell had a little remaining from their handsome competency, and that this, together with a small annual income from the Merchants' Society and a provident institution, would enable them to make a living.

Youth and education

Thomas Campbell was born after this disaster, and was naturally an object of special care to both parents. His father impressed him by his manly self-dependence and his sterling integrity, while his mother by her songs and legends gave him a taste for literature and a bias towards her beloved west highlands.

Campbell went to the Glasgow grammar school in his 8th year, and became both a good classical scholar and a promising poet, under the fostering care of his teacher, David Alison, who prophesied distinction for his pupil.

On going to the university in October 1791, he studied hard, and quickly excelled as a classical scholar, debater, and poetical translator from Greek. Genial and witty, he was liked and admired by professors and fellow-students. He won numerous prizes for his scholarship, as well as for poems (such as the "Origin of Evil") cleverly turned after Pope. A visit to Edinburgh in 1794, when he attended the trial of Muir, Gerald, and others for high treason, deeply impressed him, and helped to form his characteristic decisive views on liberty.

At this time, thinking of studying for the church, Campbell read Hebrew and gave some attention to theological subjects, one literary result of which was his hymn on ‘The Advent.’ His future, however, became clouded when, in his 4th year at college (1794–5), his father lost a lingering chancery suit, and Campbell, forced to earn money, went as a tutor to Sunipol in Mull. His fellow-student, Hamilton Paul, sent him a playful letter here, enclosing a few lines entitled "Pleasures of Solitude," and, after a jocose reference to Akenside and Rogers, bade Campbell cherish the "Pleasures of Hope" "that they would soon meet in Alma Mater." This probably was the germ of the poem that was completed within a few years.

Campbell returned to the university for the winter, finally leaving it in the spring of 1796. During this year he had attended the class of Professor Miller, whose lectures on Roman law had given him new and lasting impressions of social relations and progress.

Early career

He was engaged as tutor at Downie, near Lochgilphead, till the beginning of 1797, when he returned to Glasgow. His experience of the west highlands had given him his first love (consecrated in "Caroline"), and deep sympathies with highland character, scenery, and incident. Many of the strong buoyant lines and exquisite touches of descriptive reminiscence in the poems of after years (e.g. stanzas 5 and 6 of Gertrude of Wyoming) are in large measure due to the comparatively lonely and reflective time he spent in these tutorships. His "Parrot," "Love and Madness," "Glenara,' and first sketch of "Lord Ullin's Daughter," belong to this time.

With the influence of Professor Miller strong upon him, Campbell now resolved to study law; with that intention he settled in Edinburgh and worked for a few weeks as a copying clerk. An introduction to Dr. Anderson, editor of The British Poets, was the means of his becoming acquainted with the publishers Mundell & Co., for whom he began to do some miscellaneous literary work. This occupation, together with private teaching, enabled him to live, and helped to raise him above the mental depression which Leyden, with an offensiveness that produced a lasting estrangement between Campbell and himself, spoke of as projected suicide. A good deal of Campbell's leisure time during his early days in Edinburgh was spent with Mr. Stirling of Courdale, and it was Miss Stirling's singing that prompted him to write the ‘Wounded Hussar.’ Other minor poems of this time were the "Dirge of Wallace," "Epistle to Three Ladies," and "Lines on revisiting the River Cart."

Popularity

Meanwhile Campbell had been busy completing the Pleasures of Hope, which, published by Mundell & Co., 27 April 1799, was instantly popular, owing both to its matter and its style. Its brilliant detached passages surprised readers into overlooking its structural defects. The poem was charged with direct and emphatic interest for thinking men; the attractive touches of description came straight from the writer's own experience, and preserved the resonant metrical neatness expected in the heroic couplet. The striking passage on Poland marks the beginning of an enthusiasm that remained through life, gaining for him many friends among suffering patriots. His "Harper" and "Gilderoy" close this first great literary period of his life.

Campbell meditated following up his success with a national poem to be called The Queen of the North, but though he long had the subject in his mind, he never produced more than unimportant fragments. Meanwhile he went (in June 1800) to the continent, settling first at Hamburg; after making the acquaintance of Klopstock here, he went to Ratisbon, where he stayed, in a time of military stress and danger, under the protection of Arbuthnot, president of the Benedictine College, to whom he pays a tribute in his impressive ballad the "Ritter Bann." A skirmish witnessed from this retreat was Campbell's only experience of active warfare.

His letters to his Edinburgh friends at this time are striking pictures of his own state of mind and the political situation. During a short truce he got as far as Munich, returning thence by the Valley of the Iser to Ratisbon, and thereafter, late in the autumn, to Leipzig, Hamburg, and Altona, where he was staying when the battle of Hohenlinden was fought (December 1800). Wintering here he studied hard, and produced a number of his best-known minor poems, several of which he sent for publication to Perry of the Morning Chronicle.

Among Irish refugees at Hamburg he had met and deeply sympathised with Anthony MacCann, whose troubles suggested The Exile of Erin. During this sojourn also were produced "Ye Mariners of England," written to the tune of "Ye Gentlemen of England," a song which he was fond of singing, and "The Soldier's Dream," besides several less known but meritorious poems, such as "Judith," "Lines on visiting a Scene in Argyllshire" (in reference to Kirnan), "The Beech Tree's Petition," and "The Name Unknown," in imitation of Klopstock. A desire to go down the Danube may have suggested (as Dr. Beattie pleasantly fancies) the ballad of ‘The Turkish Lady.’

The sudden appearance of the English fleet off the Sound (March 1801), indicating the intention of punishing Denmark for her French bias, caused Campbell and other English residents to make an abrupt departure from Altona. The view he had of the Danish batteries as he sailed past in the Royal George suggested to him his strenuous war-song, "The Battle of the Baltic."

Landing at Yarmouth, 7 April 1801, Campbell proceeded to London, where through Perry he came to know Lord Holland, and so speedily began to mingle in the best literary society of the metropolis. The death of his father soon took him to Edinburgh, and we find him (after satisfying the sheriff of Edinburgh that he was not a revolutionary spy) alternating between England and Scotland for about a year. After his mother and sisters were comfortably settled he undertook work for the booksellers in their interests. He spent a good deal of time at the town and country residences of Lord Minto, to whom Dugald Stewart had introduced him, and through Lord Minto his circle of London acquaintance was widened, the Kembles in particular proving very attractive to Campbell.

It was during this unsettled time that he undertook a continuation of Hume and Smollett's England (which is of no importance in an estimate of his work), and published together, with a dedication to the Rev. Archibald Alison, his "Lochiel" and "Hohenlinden." The latter (rejected, it is said, by the Greenock Advertiser as "not up to the editor's standard") he himself was inclined to depreciate, as a mere ‘drum and trumpet thing,’ but it appealed to Scott's sense of martial dignity, and he was fond of repeating it. Scott says (Life, vi. 326) that when he declaimed it to Leyden, he received this criticism: "Dash it, man, tell the fellow that I hate him, but, dash him, he has written the finest verses that have been published these fifty years." Campbell's reply, when Scott reported this, was, "Tell Leyden that I detest him; but I know the value of his critical approbation."

Marriage

Satisfied with the success of a reissue of The Pleasures of Hope, and other poems, Campbell married (10 Oct. 1803, misdated September by Dr. Beattie and Campbell himself) Miss Matilda Sinclair, daughter of his mother's cousin, Robert Sinclair, then resident in London, and formerly a wealthy and influential man in Greenock. Declining the offer of a chair at Wilna, Campbell gave himself up to literary work in London, where he remained for the rest of his days.

His 1st child, whom he named Thomas Telford, after his friend the famous engineer, was born in July 1804, and shortly afterwards the family settled at Sydenham, the poet working steadily for his own household as well as for his mother and sisters. His critical and translated work soon marked him out as no ordinary judge of poets and poetry, and when it occurred to him that Specimens of the British Poets was a likely title for a successful book, Sir Walter Scott and others to whom he mentioned it were charmed with the idea. It took some time, however, before the publication of such a work could be arranged for, and then the author's laborious method delayed its appearance after it was expected.

Meanwhile, Campbell began to rise above adverse circumstances. In 1805 his second son, Alison, was born, and the same year was marked by a very profitable subscription edition of his poems, suggested by Francis Horner.

with Fox and Lords Holland and Minto as prime movers, in 1805 he received a crown pension of 200l.

In 1809 Gertrude of Wyoming appeared, and, despite manifest shortcomings, its gentle pathos and its general elegance and finish of style obtained for it a warm welcome. It was in a conversation with Washington Irving that Scott (Life, iv. 93), speaking of the beauties of ‘Gertrude,’ gave his famous explanation of Campbell's limited poetical achievement in proportion to his undoubted powers and promise. "He is afraid," said he, "of the shadow that his own fame casts before him." A new edition of the poem was speedily called for, and appeared, together with the sweet and touching "O'Connor's Child,’ which is probably the most artistic of Campbell's works.

In 1810 his son Alison died of scarlet fever, and the poet's correspondence for some time gives evidence of overwhelming grief. After he had rallied, he prepared a course of lectures for the Royal Institution. These lectures on poetry, notwithstanding their technical and archaic character, were a decided success. The scheme was a splendid and comprehensive one, but too vast for one man to complete. It is not surprising, therefore, that a whimsical genius like Campbell should have suddenly broken away from the subject, after having done little more than make a vigorous beginning. Still, detached portions of what he says on Hebrew and Greek verse (in the lectures as rewritten for the ‘New Monthly Magazine’) have special value, and will always attract students of the art of poetry.

On the fall of Napoleon in 1814, Campbell spent two months in Paris, where he was much affected by what he saw, and made new friends in the elder Schlegel, Baron Cuvier, and others. In 1815 a legacy of over 4,000l. fell to him, on the death of Mr. MacArthur Stewart of Ascog, and the legal business connected with the bequest took him to Edinburgh and Glasgow, where he spent a pleasant holiday among old friends.

The next 2 years found him busy with his Specimens of the British Poets, at length in a fair way to be published by Murray. The work, in 7 volumes, actually appeared in 1819, when Campbell, by the invitation of Roscoe, was delivering his revised Royal Institution lectures at Liverpool and Birmingham.

Editor

Subsequently Campbell's literary work was of inferior quality. Colburn (24 May 1820) engaged him to edit the New Monthly Magazine, at a salary of 500l. Previous to entering on his duties he spent about 6 months on the continent. He was at Rotterdam, Bonn (where he was entertained by the Schlegels and others), Ratisbon, and Vienna, and was back in London in November. To be nearer his work he left Sydenham with regret, and settled in London. The insanity of his surviving child, which suddenly became manifest at this time, was a grievous blow to him.

His Theodric, an unequal and extravagant domestic tale, appeared in November 1824, and about the same time he began to agitate for a London university, the conception of which had occurred to him on his late continental tour. To forward this scheme he paid in September 1825 a special visit to the university of Berlin. His plans were taken up and matured by Brougham, Hume, and others, and he was fond of referring to the accomplished fact of the University of London as "the only important event in his life's little history."

His interest in education and his eminence as an author were recognised by the students of Glasgow University, who elected him lord rector 3 times in succession (1826-18299), the 3rd time over no less formidable a rival than Sir Walter Scott.

Mrs. Campbell's death, in 1828, was an incalculable loss to an unmethodical man like Campbell, who was never quite himself afterwards. As an editor of a periodical he was not a success (although he secured the assistance of eminent writers), and but for the strenuous action of his coadjutor, Cyrus Redding, and the gentle, orderly assistance of Mrs. Campbell, it is possible that he would not have retained the position nearly so long as he did. As it was, he resigned in 1830, having notably proved, as Mr. S.C. Hall says (Retrospect, i. 314), that "though a great man he was utterly unfit to be an editor." His own contributions to the New Monthly Magazine during his editorship, besides the rewritten "Lectures on Poetry," included some minor poems of merit, such as the "Rainbow," :The Brave Roland," "The Last Man" (a weird and impressive fancy well sustained), "Reullura," "Ritter Bann," "Navarino," the "Heligoland Death-Boat," &c. There were also papers on the proposed London University, letters to the Glasgow students, very suggestive remarks on Shakespeare's sonnets, and a review of Moore's Life of Byron with a chivalrous defence of Lady Byron.

In 1831-1832 Campbell edited the ‘Metropolitan Magazine,’ which was a failure.

It was in 1832 that he founded the Polish Association, designed to keep the British mind alive to Polish interests. In 1834 he revisited Paris, and with love of travel strongly on him passed to Algiers, whence he sent to the New Monthly Magazine his "Letters from the South," issued in 2 volumes by Colburn in 1837.

Later life

Campbell returned to London in 1835, and for several years did work that did not add to his reputation. Between 1834 and 1842 he wrote his Life of Mrs. Siddons, which lacks symmetry, though containing some acute and judicious remarks on several of Shakespeare's plays; the Life of Petrarch, devoid of research and freshness; and a slender life of Shakespeare prefixed to an edition of the works published by Moxon.

In 1840 Campbell took the house at 8 Victoria Square, Pimlico, where he meant to spend the remainder of his days with his niece, Mary Campbell, for companion. In 1842 he published the Pilgrim of Glencoe, together with some minor pieces, notably the "Child and Hind," "Song of the Colonists," and "Moonlight." The latter were favourably received, but the cold reception of the Pilgrim disappointed and vexed the poet.

A work on Frederick the Great, in 4 volumes, published about this time, is ostensibly edited by Campbell, whose name is also associated with an anonymous History of our own Times (1843).

His health was rapidly failing, and in June 1843 he gave a farewell party to his friends in town, having resolved to go to Boulogne for change. He paid a short visit to London in the autumn to look after his affairs, and then, returning to Boulogne, passed a weary and painful time till he died, 15 June 1844. He was buried in Westminster Abbey, near the tombs of Addison, Goldsmith, and Sheridan, and a Polish noble in the funeral cortège scattered upon his coffin a handful of earth from the grave of Kosciusko.

Writing

Poetics

The essay on poetry which precedes the Specimens is a notable contribution to criticism, and the lives are succinct, pithy, and fairly accurate, though such a writer is inevitably weak in minor details. He is specially hard on Euphuism, and it is curious that one of his most severe thrusts is made at Vaughan, to whom he probably owes the charming vision of "the world's grey fathers" in his own "Rainbow." The most valuable portions of the essay are those on Milton and Pope, which, together with such concise and lucid writing as the critical sections of the lives of Goldsmith and Cowper, show that Campbell was master of controversial and expository prose. Despite Miss Mitford's merrymaking, in one of her letters, over the length of time spent in preparing the Specimens, students cannot but be grateful for them as they stand. The illustrative extracts are not always fortunate, but this is due to the editor's desire for freshness rather than to any lack of taste or judgment.

Critical introduction

by Sir Henry Taylor

Campbell's poetry is by no means voluminous, and yet the greater part of it has ceased to be much read. Two or three admirable ballads are well known to the present generation and will probably continue to be known beyond it, and a few lines out of his other poems have taken the place they so well deserve to hold among current quotations.

His first poem, The Pleasures of Hope, published in 1798, was modelled no doubt upon The Pleasures of Memory, published in 1793, and though Rogers was nearly 30 years of age when he wrote, and Campbell only 21, there are finer passages to be found in the work of the younger poet. But there is the same fault of a prevailing didactic tameness in the each poem as in the other, and Campbell had to learn and to listen for a year or 2 more before he caught the livelier spirit of song which rang in the new century.

It was at this point of time that our poetry was about to ‘"breathe a second spring." Wordsworth said that Coleridge "was in blossom from 1796 to 1800." Southey wrote in 1837 — "Many volumes of poems are now published every year without attracting public attention, any one of which, if it had appeared half a century ago, would have obtained a high reputation for its author."

The Pleasures of Hope did obtain a high reputation for its author. It passed through 4 editions within a year of its publication. And on that reputation, and on its merits rather than its charms, it lived for half a century more or less; and if it is now in a way to be dead and buried, there will be no small amount of poetic material to be buried with it. As in the case of its predecessor and model, it is the dull movement and desultory design which brings it in peril of its life.

When his songs took the place of what may be called poetical lectures, Campbell’s diction was no longer so scrupulously correct. Perhaps absolute correctness of diction is less to be insisted upon in what is ejaculated than what is concocted: and Campbell’s ballads have so much life and animation in them that the reader who is happy enough not to be a critic may well overlook one or two trifling faults of grammar,— carried away by their salient metrical effects and the force of the feeling that inspires them. Faults of sound, it is true, cannot so easily escape notice, and the rhymes are not always what they should be.

Of the ballads, "Hohenlinden" and "Ye Mariners of England" were written in 1800, and "The Battle of the Baltic" in 1809. In the latter year was published Gertrude of Wyoming, a narrative poem of ninety-two Spenserian stanzas, divided into three parts. If this poem had been the first to appear it would probably have taken and kept a higher place than The Pleasures of Hope in popular estimation. There is no search after something to say in this, and the story is told with a simple and pathetic as well as poetical sweetness which could scarcely have failed to take effect if the field of narrative poetry had not been preoccupied by poets of more varied powers. And though the Spenserian stanza is commonly supposed to be the most difficult in the language, it is written by Campbell with such a graceful fluency that it seems like the poet’s natural way of expressing himself, and the difficulty is to suppose that it costs him any trouble. A disadvantage that it had to contend with was the locus in quo. The scene is laid in America. Now there is no people on the face of the earth who have a quicker sense of what is poetical and romantic than the Americans. But they themselves would desire to forget their own country when their imaginations are to be invoiced and they are to lose themselves in the regions of romance. They are affected quite as much as we are, if not more, by what is old and unfamiliar.

Campbell may have assumed, perhaps, that the same unfamiliarity which makes an old country most interesting to the natives of a new one, will make the new one most interesting to the natives of the old. Socially and politically it may be so, but in its relations with poetry and romance it is otherwise. "On Susquehana’s side fair Wyoming" may be as beautiful as it is beautifully described in the opening of the poem, but the picturesque effect would have gained in imaginative associations if Wyoming had been in the old world instead of the new. There is however one impressive figure of the new world which the old could not have afforded — that of the Indian Outalissi. He brings into the story at his first, and still more at his last appearance, an element of wildness which is employed with excellent effect.

Campbell wrote one other long story, Theodoric by name, which he calls "domestic," and in which he resumes the old heroic couplet (why called "heroic" it is hard to understand), stumping along as if with 2 wooden legs. It is a commonplace tragedy of real life prosaically related, into which a plainness of speech not usually met with in poetry is occasionally introduced, with a view no doubt to give the effect of reality and truth. Such language might have fulfilled its purpose had the story been written in prose; but being in verse of a stiff and pompous form, the effect is that of incongruity, combining two affectations, an affectation of poetic elevation with an affectation of simplicity. In short, the poem is altogether unworthy of its author.

And if anything could show how unworthy, it would be the poem next in succession, "O’Connor’s Child"; for this is the very soul of song — tragic, romantic and passionate. Nor are there wanting among the minor poems a few more tales — "The Spectre Boat", "Glenara", "The Ritter Bann", "Lord Ullin’s Daughter" — which have a like, if not an equal charm; and others, good of their kind, short, well told in ballad metre, but with epigrammatic rather than poetic effect. Those which are not good of their kind are songs or ballads which Dame Nature seems to have intended for ebullitions, and which probably were so in their birth, but which Stepdame Art has laboured to improve.

For the rest, the complete editions of Campbell’s poems, like those of most poets renowned in their day, contain a proportion of juvenile and senile efforts which might have been spared with advantage to the collection as a whole; and the same may be said of certain occasional poems written because they were wanted. Some verses on Marie Antoinette, of no very great merit in themselves, are remarkable in having been written at 15 years of age. And there is another poem, included in the edition published by Moxon in 1837, which is remarkable amongst Campbell’s poems for not being Campbell’s. It is Wordsworth’s well-known poem beginning

‘There is a change,—and I am poor.’

It is singular that such a misappropriation should have happened when both the poets were still living.

Recognition

Campbell was buried 3 July 1844 in Poet's Corner of Westminster Abbey. He is commemorated by a life-sized white marble statue, created by W. Calder Marshall in 1848.

2 of his poems, "Ye Mariners of England" and "The Battle of the Baltic", were included in the Oxford Book of English Verse, 1250-1900.

Publications

Poetry

• The Pleasures of Hope. Edinburgh: Mundell / London: Longman & Rees / J. Wright, 1799.
• Gertrude of Wyoming: A Pennysylvanian tale; and other poems. London: T. Bensley for Longman, Hurst, Rees, & Orme, 1809; New York: D. Longworth at the Shakespeare Gallery, 1809..
• Theodoric: A domestic tale; and other poems. London: Longman, Hurst, Rees, Orme, Brown, & Green, 1824.
• The Pilgrim of Glencoe, and other poems. London: Edward Moxon, 1842.
• The Complete Poetical Works (edited by Epes Sargent). Boston: Phillips, Sampson, 1854.
• The Poetical Works. London & New York: Routledge, 1867.
• The Poetical Works (edited by William Michael Rossetti). London: E. Moxon, 1872.
• Poems of Thomas Campbell (edited by J. Walter Hogben). London: Walter Scott, 1885.
• The Complete Poetical Works (edited by J. Logie Robertson). London: Henry Frowde for Oxford University Press, 1907.

Non-fiction

• An Essay on English Poetry: With notices of the English poets. London: John Murray, 1819; Boston: Wells & Lilly, 1819.
• Life of Mrs. Siddens. London: E. Wilson, 1834; New York: Harper, 1834. Volume I, Volume II

Edited

• Specimens of the British Poets; with An essay on English poetry. London: John Murray, 1819.

Letters

• Life and Letters (edited by William Beattie). (3 volumes) London: Edward Moxon, 1849.

Except where noted, bibliographical information courtesy WorldCat.

Lord Ullin's Daughter

See also

• List of British poets

References

•  Bayne (1886) "Campbell, Thomas (1777-1844)" in Stephen, Leslie Dictionary of National Biography 8 London: Smith, Elder, pp. 392-296 

External links

Poems

• "The Pleasures of Hope" complete
• Campbell in the Oxford Book of English Verse, 125-1900: "Ye Mariners of England," "The Battle of the Baltic"
• Campbell in The English Poets: An anthology: "Hohenlinden," "Ye Mariners of England," "Battle of the Baltic," The Oneyda's Death Song (from Gertrude of Wyoming)
• Camphell, Thomas (1777-1844) (4 poems) at Representative Poetry Online
• Thomas Campbell (1777-1841) info & 5 poems at English Poetry, 1579-1830
• Thomas Campbell at the Eighteenth-Century Poetry Archive (7 poems)
• Index entry for Thomas Campbell at Poets' Corner
• Thomas Campbell (1777-1844) at Poetry Atlas (14 poems)
• Thomas Campbell at PoemHunter (29 poems)

Audio / video

• Thomas Campbell poems at YouTube

Books

• Thomas Campbell 1844 at Amazon.com

About

• Thomas Campbell in the Encyclopædia Britannica
• Campbell, Thomas in the 1911 Encyclopædia Britannica
• Thomas Campbell at Poets' Graves

This article incorporates text from a publication now in the public domain, the Dictionary of National Biography (edited by Leslie Stephen). London: Smith, Elder, 1885-1900. Original article is at: Campbell, Thomas (1777-1844)