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   The Weeping Burgher


 It is with a strange malice
 That I distort the world.

 Ah! that ill humors
 Should mask as white girls.
 And ah! that Scaramouche
 Should have a black barouche.

 The sorry verities!
 Yet in excess, continual,
 There is cure of sorrow.

 Permit that if as ghost I come
 Among the people burning in me still,
 I come as belle design
 Of foppish line.

 And I, then, tortured for old speech,
 A white of wildly woven rings;
 I, weeping in a calcined heart,
  My hands such sharp, imagined things.

"The Weeping Burgher" is a poem from Wallace Stevens's debut collection of poetry, Harmonium . It was originally published in Poetry: A Magazine of Verse in October 1919, and is therefore in the public domain in the United States.[1][2]

Commentary[]

Stevens confesses to a strange malice that distorts the world as given by the poems in Harmonium,masking ill humors and poses. The masks are excesses that are his poetic cure for sorrow. The poet makes himself present to the reader as a ghost of himself, but an appealingly foppish ghost of "belle design", quite different from the weeping burgher who crafted the artifice. The poem immediately follows "The place of the solitaires", with which it may be instructively compared. The hands that do the writing are now seen as "sharp, imagined things" responsible for strangely malicious distortions.

Bates recounts the following anecdote.

Two years after "The Weeping Burgher" appeared in Poetry, Genevieve Taggard told Stevens of the rumor that his poems were "hideous ghosts" of himself, to which he replied, "It may be."[3]

Compare with Marianne Moore's comment about the "shadow of acrimonious, unprovoked contumely" that she detected in Harmonium.

See also[]

References[]

  • Bates, Milton. Wallace Stevens: A Mythology of Self. 1985: University of California Press.

Notes[]

  1. The Complete Public Domain Poems of Wallace Stevens, Volume 1, Librivox Forums. Web, Nov. 1, 2012.
  2. Bates, p. 85
  3. Bates, p. 85.

External links[]

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