| Disyllables | |
|---|---|
| ˘ ˘ | pyrrhus, dibrach |
| ˘ ¯ | iamb |
| ¯ ˘ | trochee, choree |
| ¯ ¯ | spondee |
| Trisyllables | |
| ˘ ˘ ˘ | tribrach |
| ¯ ˘ ˘ | dactyl |
| ˘ ¯ ˘ | amphibrach |
| ˘ ˘ ¯ | anapest, antidactylus |
| ˘ ¯ ¯ | bacchius |
| ¯ ¯ ˘ | antibacchius |
| ¯ ˘ ¯ | cretic, amphimacer |
| ¯ ¯ ¯ | molossus |
| Number of feet per line | |
| one | Monometer |
| two | Dimeter |
| three | Trimeter |
| four | Tetrameter |
| five | Pentameter |
| six | Hexameter |
| seven | Heptameter |
| eight | Octameter |
| See main article for tetrasyllables. | |
A pyrrhic or a pyrrhus is a metrical foot used in writing verse . It consists of two unaccented or short syllables.[1] It is also known as a dibrach.
Alfred, Lord Tennyson used pyrrhics and spondees quite frequently, for example, in In Memoriam: "When the blood creeps and the nerves prick." "When the" and "and the" in the second line may be considered as pyrrhics (also analyzable as ionic meter).
Pyrrhics alone are not used to construct an entire poem due to the monotonous effect.[2] Poe observed that:
The pyrrhic is rightfully dismissed. Its existence in either ancient or modern rhythm is purely chimerical, and the insisting on so perplexing a nonentity as a foot of two short syllables, affords, perhaps, the best evidence of the gross irrationality and subservience to authority which characterise our Prosody.[3]
See also[]
References[]
- ↑ Harry Rusche, A Handbook of Terms for Discussing Poetry, Emory University Department of English [1] Last accessed 20 December 2006
- ↑ "Rhythm, Meter, and Scansion Made Easy," Riverdale School, [2] Last accessed 20 December 2006
- ↑ Poe, "The Rationale of Verse"
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