Fletcher was born in Little Rock, Arkansas to a socially prominent family. After attending Phillips Academy in Andover, New Hampshire, Fletcher went on to Harvard University from 1903 to 1907, when he dropped out shortly after his father's death.
Fletcher resumed a liaison with Florence Emily 'Daisy'(Goold) Arbuthnot at her house in Kent. She had been married to Malcolm Arbuthnot, and Fletcher's adultery with her was the grounds for the divorce. She and Fletcher married on July 5, 1916. Their marriage produced no children, but Arbuthnot's son and daughter from her previous marriage lived with the couple.
On January 18, 1936, he married a noted author of children's books, Charlie May Simon. The two of them built "Johnswood", a residence on the bluffs of the Arkansas River outside Little Rock. They traveled frequently, however, to New York for the intellectual stimulation and to the American Southwest for the climate, after Fletcher began to suffer from arthritis.
His early works include Irradiations: Sand and Spray (1915), and Goblins and Pagodas (1916). In later poetic works Fletcher returned to more traditional forms. These include The Black Rock (1928) and The Burning Mountain (1946).
Fletcher later returned to his home in Arkansas and reconnected with his roots. The subject of his works turned increasingly towards southern United States issues and traditionalism.
In the late 1920s and 1930s he was active with a group of 11 other Southern writers and poets known as the Southern Agrarians. This group published the classic Agrarian manifesto I'll Take My Stand, a collection of essays rejecting modernity and industrialism. In 1937 he wrote his autobiography, Life is My Song, and in 1947 he published Arkansas, a beautifully written history of his home state.
Fletcher won the Pulitzer Prize in Poetry in 1939 for his 1938 Selected Poems.
A branch of the Central Arkansas Library System is named in his honor.
- The Book of Nature, 1910-1912. London: Constable, 1913.
- The Dominant City (1911-1912). London: Goschen, 1913.
- Fire and Wine. London: Richards, 1913.
- Fool's Gold. London: Goschen, 1913.
- Visions of the Evening. London: Macdonald, 1913.
- Irradiations: Sand and spray. Boston & New York: Houghton, 1915.
- Goblins and Pagodas. Boston & New York: Houghton, 1916.
- Japanese Prints. Boston: Four Seas, 1918.
- The Tree of Life. London: Chatto & Windus, 1918; New York: Macmillan, 1919.
- Some Contemporary American Poets, Volume 11 (chapbook), 1920.
- Breakers and Granite. New York: Macmillan, 1921.
- Preludes and Symphonies (includes Irradiations: Sand and spray & Goblins and Pagodas). Boston & New York: Houghton, 1922.
- Parables. London: Kegan Paul, 1925.
- Branches of Adam. London: Faber & Gwyer, 1926.
- The Black Rock. New York: Macmillan, 1928.
- XXIV Elegies. Santa Fe, NM: Writers' Editions, 1935.
- Selected Poems. New York & Toronto: Farrar & Rinehart, 1938.
- South Star. New York: Macmillan, 1941.
- The Burning Mountain. New York: Dutton, 1946.
- Arkansas. Chapel Hill, NC: University of North Carolina Press, 1947.
- Selected Poems of John Gould Fletcher. Fayetteville, AR: University of Arkansas Press, 1988.
- Paul Gauguin: His Life and Art. New York: Brown, 1921.
- John Smith — Also Pocahontas. New York: Brentano's, 1928.
- The Crisis of the Film. Seattle: University of Washington Book Store, 1929.
- The Two Frontiers: A study in historical psychology. New York: Coward-McCann, 1930;
- published as Europe's Two Frontiers: A study of the historical forces at work in Russia and America as they will increasingly affect European civilization. London: Eyre & Spottiswoode, 1930.
- Introduction to John Smith, The True Travels, Adventures, and Observations of Captaine John Smith. New York: Rimington & Hooper, 1930.
- Life Is My Song: An autobiography of John Gould Fletcher. New York & Toronto: Farrar & Rinehart, 1937.
- Selected Essays. Fayetteville, AR: University of Arkansas Press, 1989.
- Elie Faure, The Dance Over Fire and Water. New York: Harper, 1926.
- Jean Jacques Rousseau, Reveries of a Solitary. New York: Brentano's, 1927.
- Yvan Goll, Jean Sans Terre / Landless John (translated with others). San Francisco, CA: Grabhorn Press, 1944.
- Edgar Allan Poe. New York: Simon & Schuster, 1926.
- Selected Letters. Fayetteville, AR: University of Arkansas Press, 1996.
Poems by John Gould FletcherEdit
See also Edit
- ↑ 1.0 1.1 "John Gould Fletcher," Poetry Foundation, Web, Nov. 13, 2011.
- ↑ Jamison, Kay R. (1994). "This Net Throwne Upon the Heavens". Touched with fire: manic-depressive illness and the artistic temperament. Simon and Schuster. p. 249. ISBN 9780684831831. http://books.google.com/books?id=T5jYtG0zDBgC&pg=PA249&lpg=PA249&source=bl&ots=Tw9JfqrwUZ&sig=Oh0LBTRu5n01XdUfc_g2HPFOW1Q&hl=en&ei=v2g2StLGCYqgMq2x_Y0K&sa=X&oi=book_result&ct=result&resnum=6. Retrieved 15 June 2009.
- ↑ "John Gould Fletcher," FindAGrave.com, Web, May 31, 2011.
- "A Chinese Poet among Barbarians"
- "In the City of Night" at the Academy of American Poets
- 2 poems by Fletcher: "Rain in the Desert," "The Skaters"
- John Goud Fletcher at PoemHunter (3 poems).
- Fletcher in The New Poetry: An anthology: "Irradiations," "The Mexican Quarter," "The Blue Symphony."
- John Gould Fletcher 1886-1950 at the Poetry Foundation.
- Fletcher in Poetry: A magazine of verse, 1912-1922: "Irradiations," "The Blue Symphony," "The Old South," "New York," "The Well in the Desert," "Mexican Quarter," "Cliff Dwelling," "Rain in the Desert," "Give and Take," "The Everlasting Contradiction," "Blind People," "Why the War?," "Lake Front at Night," "The Monadnock," "Lasalle Street - Evening," "War Angles," "Russia," "At the Turn of the Year," "Rain," "Embarkation," "Heat," "Full Moon," "The Moon's Orchestra," "The Stevedores," "Night Landing," "The Silence"
- Audio / video
- Encyclopedia of Arkansas History & Culture: John Gould Fletcher
- Who was John Gould Fletcher, and what did he contribute to American literature? at eNotes.
- John Gould Fletcher at Find a Grave
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