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John Crowe Ransom 1941

John Crowe Ransom at Kenyon College, 1941. Photo by Robie Macauley. Licensed under Creative Commons, courtesy Wikimedia Commons.

John Crowe Ransom (April 30, 1888 - July 3, 1974) was an American poet, essayist, magazine editor, and academic.

LifeEdit

Ransom was born in Pulaski, Tennessee, the third of four children of a Methodist minister. His family was highly literate. As a child, he read his family's library and engaged his father in passionate discussions(Citation needed). He published five main books of poetry, four books of essays, and edited three anthologies. He also published one textbook on writing, A College Primer of Writing (1943).

Ransom was home schooled until age ten, and entered Vanderbilt University at fifteen, graduating first in his class in 1909. He interrupted his studies for two years to teach sixth and seventh grades in Taylorsville, Mississippi and Latin and Greek in Lewisburg, Tennessee(Citation needed).
File:JCR and RM 1959.jpg

After teaching one more year in Lewisburg, Ransom was selected as a Rhodes Scholar. He attended Oxford University's Christ Church, 1910-1913, where he read "Greats", as the course in Greek and Latin classics is called.

After one year teaching Latin in the Hotchkiss School, Ransom was appointed to the English department at Vanderbilt University in 1914. During the First World War, he served as an artillery officer in France. After the war, he returned to Vanderbilt. In 1920, he married Robb Reavill; they raised three children(Citation needed).

In 1937, Ransom accepted a position at Kenyon College in Ohio. He was the founding editor of the Kenyon Review, and continued as editor until his retirement in 1959.[1] In 1966, Ransom was elected to the American Academy of Arts and Letters.

Ransom has few peers among 20th century American university teachers of humanities; his distinguished students included Donald Davidson, Randall Jarrell, Robert Lowell, Andrew Lytle, Allen Tate, Peter Taylor, Robie Macauley, Robert Penn Warren, E.L. Doctorow, Cleanth Brooks, and Richard M. Weaver.

Ransom died in Gambier, Ohio, in 1974. His ashes were buried behind the Chalmers Library at </span>Kenyon College.

WritingEdit

PoetryEdit

At Vanderbilt, Ransom was a founding member of the Fugitives, a Southern literary group of 16 writers that functioned primarily as a kind of poetry workshop and included Donald Davidson, Allen Tate, and Robert Penn Warren. Under their influence, Ransom, whose first interest had been philosophy (specifically John Dewey and American pragmatism) began writing poetry. His first volume of poems, Poems about God (1919), was praised by Robert Frost and Robert Graves. The Fugitive Group had a special interest in Modernist poetry and, under Ransom's editorship, started a short-lived but highly influential magazine, called The Fugitive, which published American Modernist poets, mainly from the South (though they also published Northerners like Hart Crane). Out of all the Fugitive poets, Norton poetry editors Richard Ellman and Robert O'Clair opined that, "[Ransom's poems were] among the most remarkable," characterizing his poetry as "quirky" and "at times eccentric."[2]

Ransom's literary reputation is based chiefly on two collections of poetry, Chills and Fever (1924) and Two Gentlemen in Bonds (1927).[3] Believing he had no new themes upon which to write, his subsequent poetic activity consisted almost entirely of revising ("tinkering", he called it) his earlier poems. Hence Ransom's reputations as a poet is based on the fewer than 160 poems he wrote and published between 1916 and 1927.

Ransom primarily wrote short poems examining the ironic and unsentimental nature of life (with domestic life in the American South being a major theme). An example of his Southern style is his poem "Janet Waking", which "mixes modernist with old-fashioned country rhetoric." [4]

Ransom was noted as a strict formalist, using both regular rhyme and meter in almost all of his poems. He also occasionally employed archaic diction. Ellman and O'Clair note that "[Ransom] defends formalism because he sees in it a check on bluntness, on brutality. Without formalism, he insists, poets simply rape or murder their subjects." [5]

CriticismEdit

File:JCR in class 1940.jpg
Ransom was a leading figure of the school of literary criticism known as the New Criticism, which gained its name from his 1941 volume of essays The New Criticism. The New Critical theory, which dominated American literary thought throughout the middle 20th century, emphasized close reading, and criticism based on the texts themselves rather than on non-textual bias or non-textual history.

In his seminal 1937 essay, "Criticism, Inc." Ransom laid out his ideal form of literary criticism stating that, "criticism must become more scientific, or precise and systematic." To this end, he argued that personal responses to literature, historical scholarship, linguistic scholarship, and what he termed "moral studies" should not influence literary criticism. He also argued that literary critics should regard a poem as an aesthetic object.[6]

Many of the ideas that Ransom explained in this essay would become very important in the development of The New Criticism. "Criticism, Inc." and a number of Ransom's other theoretical essays set forth some of guiding principles that the New Critics would build upon. Still, Ransom's former students, specifically Allen Tate, Cleanth Brooks, and Robert Penn Warren, had a greater hand in developing many of the key concepts (like "close reading") that later came to define the New Criticism.

Ransom remained an active essayist until his death even though, by the 1970's, the popularity and influence of the New Critics had seriously diminished.

Agrarian theoryEdit

In 1930, Ransom along with 11 other Southern Agrarians, published the conservative, Agrarian manifesto I'll Take My Stand: The South and the Agrarian Tradition, which bemoaned the tide of industrialism that appeared to be sweeping away traditional Southern culture.[7] The Agrarians felt nostalgic for an idealized antebellum South, and they believed that the Southern tradition, rooted in the antebellum, agricultural model, was the answer to the South's economic and cultural problems.

Ransom's contribution to I'll Take My Stand is his essay "Reconstructed but Unregenerate" which starts the book and lays out the Southern Agrarians' basic argument. In various essays influenced by his Agrarian beliefs, Ransom defended the manifesto's assertion that modern industrial capitalism was a dehumanizing force that the South should reject in favor of an agrarian economic model. However, by the late 1930's he began to distance himself from the movement, and in 1945, he publicly criticized it.[8]

RecognitionEdit

Despite the brevity of Ransom's poetic career and output, he won the Bollingen Prize for Poetry in 1951.

His 1963 Selected Poems received the National Book Award the following year.

PublicationsEdit

PoetryEdit

  • Poems about God. New York: Holt, 1919; Folcroft, 1972.
  • Armageddon (poem; bound with "A Fragment" by William Alexander Percy and "Avalon" by Donald Davidson). Poetry Society of South Carolina, 1923.
  • Chills and Fever. New York: Knopf, 1924; Folcroft, 1972.
  • Grace after Meat (introduction by Robert Graves). London: Hogarth Press, 1924.
  • Two Gentlemen in Bonds. New York: Knopf, 1927.
  • Selected Poems. New York: New York: Knopf, 1945
    • (3rd revised edition), New York: Knopf, 1969; Richard West, 1977,
  • Poems and Essays. New York: Vintage Books, 1955.

Non-fictionEdit

  • God without Thunder: An Unorthodox Defense of orthodoxy (essays). New York: Harcourt, 1930; Shoe String, 1965.
  • I'll Take My Stand: The South and the agrarian tradition by twelve southerners (with others). New York: Harper, 1930..[9]
  • The World's Body (essays). New York: Scribner, 1938; Baton Rouge, LA: Louisiana State University Press, 1968.
  • The New Criticism (essays). New York: [[New Directions Publishing|New Directions], 1941; reprinted, Greenwood Press, 1979.
  • (Contributor) The Intent of the Critic (edited by Donald A. Stuffer}. Princeton, NY: Princeton University Press, 1941; reprinted, Peter Smith, 1963.
  • Poetics (essays). New York: New Directions, 1942.
  • A College Primer of Writing. New York: Holt, 1943.
  • Exercises on the Occasion of the Dedication of the New Phi Beta Kappa Memorial Hall, the College of William and Mary in Virginia (an address). College of William and Mary, 1958.
  • American Poetry at Mid-Century (lectures, with Delmore Schwartz & John Hall Wheelock). Washington, DC: Library of Congress, 1958; Norwood, 1977.
  • Symposium on Formalist Criticism (with others). University of Texas, 1967.
  • Beating the Bushes: Selected essays, 1941-1970. New York: New Directions, 1972.
  • Selected Essays of John Crowe Ransom (edited by Thomas D. Young & John Hindle). Baton Rouge, LA: Louisiana State University Press, 1984.

EditedEdit

  • Topics for Freshman Writing. New York: Holt, 1935.
  • The Kenyon Critics: Studies in modern literature from the 'Kenyon Review'. World Publishing, 1951; Kennikat, 1967.
  • Thomas Hardy, Selected Poems. Macmillan, 1961.

LettersEdit

  • Selected Letters of John Crowe Ransom (edited by Young and George Core). Baton Rouge, LA: Louisiana State University Press, 1985.


Except where noted, bibliographical information courtesy the Poetry Foundation.[10]

See alsoEdit

ReferencesEdit

NotesEdit

  1. Thomas Daniel Young, Gentleman in a Dustcoat: A Biography of John Crowe Ransom, Louisiana State University Press, Southern Literary Studies Series, January 1977, pp. 428-30. ISBN 0807102555.
  2. Ellman, Richard and Robert O'Clair, eds. The Norton Anthology of Poetry. Second Edition. New York: W. W. Norton Co., 1973. 467.
  3. Thomas Daniel Young, John Crowe Ransom: an annotated bibliography, (Modern Critics and Critical Schools). Volume 3 of Garland, bibliographies of modern critics and critical schools. Volume 354 of Garland reference library of the humanities. Garland Publishing Co., 1982. ISBN 082409249X
  4. Tillinghast 1997
  5. Ellman, Richard and Robert O'Clair, eds. The Norton Anthology of Poetry. Second Edition. New York: W. W. Norton Co., 1973. 467.
  6. Ransom, John Crowe. Criticism, Inc." The Norton Anthology of Theory and Criticism. Ed Vincent Leitch, et al. New York, W. W. Norton Co., 2001. 11108-1118.
  7. Conkin, Paul K. The Southern Agrarians. Knoxville, TN: University of Tennessee Press, 1988.
  8. Conkin, Paul K. The Southern Agrarians. Knoxville, TN: University of Tennessee Press, 1988.
  9. Allen Tate 1899-1979, Poetry Foundation, Web, June 23, 2012.
  10. [http://www.poetryfoundation.org/bio/john-crowe-ransom John Crow Ranson 1888-1974, Poetry Foundation, Web, July 9, 2012.

External links Edit

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