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Jean Toomer

Jean Toomer (1894-1967). Courtesy Citelighter.

Jean Toomer
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Toomer circa 1920-1930
Occupation Writer

Jean Toomer (December 26, 1894 - March 30, 1967) was an African-American poet and novelist and an important figure of the Harlem Renaissance. His first book, Cane, is considered by many as his most significant.[1]

LifeEdit

YouthEdit

Toomer was born Nathan Eugene Pinchback Toomer in Washington, D.C. His father was a prosperous farmer, originally born into slavery in Hancock County, Georgia. His mother, Nina Pinchback, was also of mixed ethnic descent; her father was Louisiana Governor P.B.S. Pinchback, the first African American to become governor of a U.S. state. Both of Toomer's maternal grandparents had white fathers. Pinchback's father was a planter and his mother was a mulatto slave who was freed before his birth. After Reconstruction, the Pinchbacks had moved to Washington, DC, where they became part of the "mulatto elite".[2]

Toomer's father (also called Nathan Toomer) abandoned the family when his son was an infant, and the boy and his mother lived with her parents. As a child in Washington, Toomer attended all-black schools. When his mother remarried and they moved to suburban New Rochelle, New York, he attended an all-white school. After his mother's death, Toomer returned to Washington to live with his grandparents Pinchback. He graduated from the M Street School, an academic black high school. By his early adult years, Toomer resisted racial classifications and wanted to be identified only as an American.[3]

Between 1914 and 1917 Toomer attended six institutions of higher education (the University of Wisconsin, the Massachusetts College of Agriculture, the American College of Physical Training in Chicago, the University of Chicago, New York University, and the City College of New York) studying agriculture, fitness, biology, sociology, and history, but he never completed a degree. His wide readings among prominent contemporary poets and writers, and the lectures he attended during his college years, shaped the direction of his writing.

CareerEdit

After leaving college, Toomer published some short stories and continued writing in the volatile social period following World War I. He worked for some months in a shipyard in 1919, then escaped to middle-class life. Labor strikes and race riots occurred in several major cities during the summer of 1919, and artistic ferment was high. He devoted several months to the study of Eastern philosophies and continued to be interested in this. Some of his early writing was political, and he published three essays from 1919-1920 in the prominent socialist paper New York Call. They drew from the socialist and "New Negro" movements of New York.[2] Toomer was reading much new American writing, for instance Waldo Frank's Our America (1919).[4]

In 1921 Toomer took a job for a few months as a principal at a new rural agricultural and industrial school for blacks in Sparta, Georgia. It was in the center of Hancock County and in the Black Belt 100 miles southeast of Atlanta. His exploration of his father's roots in Hancock County, as well as being forced into witnessing the segregation and labor peonage of the Deep South, led him to identify more strongly as an African American. Several lynchings took place in Georgia during 1921-1922, continuing to enforce white supremacy with violence. In 1908 the state had ratified a constitution essentially disfranchising blacks; by Toomer's time, it passed laws to prevent outmigration and established high licenses fees for employers recruiting labor in the state. African Americans had started their Great Migration north and planters feared losing their pool of cheap labor. It was a formative experience for Toomer; he started writing about it while still in Georgia and submitted the long story "Georgia Night" to the Liberator in New York while there.[2][3]

Jean Toomer passport 1926

Jean Toomer's passport, issued 1926. Courtesy Wikimedia Commons.

Toomer returned to New York where he became friends with Waldo Frank, who also served as his mentor and editor on his novel Cane.[4] In 1923, Toomer published the High Modernist novel Cane, in which he used a variety of forms, and material inspired by his time in Georgia. It was also an "analysis of class and caste", with "secrecy and miscegenation as major themes of the first section".[2] He had conceived it as a short-story cycle, and acknowledged the influence of Sherwood Anderson's Winesburg, Ohio (1919) as his model, in addition to other influential works of that period. He also appeared to have absorbed T.S. Eliot's The Wasteland and considered him one of the American group of writers he wanted to join, "artists and intellectuals who were engaged in renewing American society at its multi-cultural core."[4]

Many scholars considered Cane to be his best work.[1] A series of poems and short stories about the black experience in America, Cane was hailed by critics and is seen as an important work of both the Harlem Renaissance and the Lost Generation. Toomer resisted racial classification and did not want the book marketed as a black work. As he said to his publisher Horace Liveright, "My racial composition and my position in the world are realities that I alone may determine."[5] Toomer found it more difficult to get published throughout the 1930s, as did many authors during the Great Depression.

He became very interested in the work of the spiritual leader George Ivanovitch Gurdjieff, who had a lecture tour in the United States in 1924. That year, and in 1926 and 1927, Toomer went to France to study with Gurdjieff, who had settled at Fontainebleau. He was a student of Gurdjieff until the mid-1930s.

Marriage and familyEdit

In 1931 Toomer married the writer Margery Latimer. The following year she died in childbirth in August 1932. He named their only daughter Margery.

In 1934 he married a second time, to Marjorie Content. Because Toomer was notable as a writer, his two marriages, both classed as inter-racial, attracted notice and some social criticism. In 1940 the Toomers moved to Doylestown, Pennsylvania. There he formally joined the Quakers and began to withdraw from society.

WritingEdit

Toomer wrote a small amount of fiction and published essays in Quaker publications during this time, but devoted most of his time to serving on Quaker committees and working with high school students. His last literary work published during his lifetime was Blue Meridian, a long poem extolling "the potential of the American race".[6] He stopped writing for publication after 1950, although he wrote for himself, including several autobiographies. He died in 1967 after several years of poor health.

RecognitionEdit

When Cane was reprinted in 1969, it was favorably reviewed as a "Black Classic", leading to a revival of interest in Toomer's work.[2] More recently, collections of Toomer's poetry and essays have been published, as well as the reprinting of his 1931 book Essentials, which was self-published and included "Gurdjieffian aphorisms".[6]

PublicationsEdit

PlayEdit

  • Kabnis. Alexandria, VA: Alexander Street Press, 2002.

NovelEdit

  • Cane. New York: Boni & Liveright, 1923; New York: Harper, 1969. w
    • Cane: An authoritative text, backgrounds, criticism (edited by Darwin T. Tucker). New York: Norton, 1988.

Non-fictionEdit

  • Essentials (aphorisms and apothegms). Chicago: Lakeside Press, 1931.
  • The Flavor of Man (lecture). Philadelphia: Young Friends Movement of the Philadelphia Yearly Meetings, 1949, 1974.
  • An Interpretation of Friends Worship. Philadelphia: Committee on Religious Education of Friends General Conference, 1979.
  •  Jean Toomer: Selected essays and literary criticism (edited by Robert B. Jones). Knoxville, TN: University of Tennessee Press, 1996.

Collected editionsEdit

  • The Wayward and the Seeking: A collection of writings (edited by Darwin Turner). Washington, DC: Howard University Press, 1978.
  • A Jean Toomer Reader: Selected unpublished writings (edited by Frederik L Rusch). New York: Oxford University Press, 1993.
  • The Uncollected Works of American Author Jean Toomer, 1894-1967 (edited by John Chandler Griffin). Lewiston, NY: Edwin Mellen Press ("Studies in American Literature" series), 2003.

LettersEdit

  • The Letters of Jean Toomer, 1919-1924 (edited by Mark Whalan). Knoxville, TN: University of Tennessee Press, 2006.
  • Brother Mine: The correspondence of Jean Toomer and Waldo Frank (edited by Waldo David Frank & Kathleen Pfeiffer).


Except where noted, bibliographical information courtesy WorldCat.[7]

Audio / videoEdit

"Jean Toomer"01:04

"Jean Toomer"

  • Cane (read by Sean Crisden). Holland, Ohio : Dreamscape Media, 2013.[7]

See alsoEdit

ReferencesEdit

  • Jean Toomer and the Harlem Renaissance, editors Michael Feith and Genevieve Fabre. (New Brunswick: Rutgers University Press, 2000. ISBN 0813528461
  • Turner, Darwin T. "Introduction." Cane by Jean Toomer (New York: Liveright, 1993). ix-xxv. ISBN 0-87140-151-7.
  • Barbara Foley, "'In the Land of Cotton': Economics and Violence in Jean Toomer's Cane," African American Review' 32 (summer 1998).
  • Barbara Foley, "Jean Toomer's Sparta," American Literature 67 (December 1995).
  • Barbara Foley, "Jean Toomer's Washington and the Politics of Class: From 'Blue Veins' to Seventh-Street Rebels," Modern Fiction Studies 42 (Summer 1996), 289-321.
  • Cynthia Earl Kerman and Richard Eldridge, The Lives of Jean Toomer: A Hunger for Wholeness (Baton Rouge: Louisiana State University Press, 1987).
  • Kent Anderson Leslie and Willard B. Gatewood Jr. "'This Father of Mine . . . a Sort of Mystery': Jean Toomer's Georgia Heritage," Georgia Historical Quarterly 77 (winter 1993).
  • Nellie Y. McKay, Jean Toomer, Artist: A Study of His Literary Life and Work, 1894-1936 (Chapel Hill: University of North Carolina Press, 1984).

NotesEdit

  1. 1.0 1.1 Jean Toomer 1894-1867, Poetry Foundation. Web, Dec. 20, 2012.
  2. 2.0 2.1 2.2 2.3 2.4 Charles Scruggs, Lee VanDeMarr, Jean Toomer and the Terrors of American History, University of Pennsylvania Press, 1998, "Introduction", accessed 15 January 2011
  3. 3.0 3.1 "Jean Toomer", Poets.org, accessed 27 Dec 2010
  4. 4.0 4.1 4.2 Charles Scruggs, Jean Toomer and the Harlem Renaissance - book review, African American Review, Spring, 2002, accessed 15 January 2011
  5. Charles. " Cane, Race, and 'Neither/Norism'", Southern Literary Journal, 2000 Spring; 32 (2): 90-101, accessed 15 January 2011
  6. 6.0 6.1 6.2 Keith Hulett, "Jean Toomer", New Georgia Encyclopedia Library, accessed 8 February 2011
  7. 7.0 7.1 Search results = au:Jean Toomer, WorldCat, OCLC Online Computer Library Center Inc. Web, Mar. 28, 2015.

External linksEdit

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