Gertrude Stein 1935-01-04

Gertrude Stein (1874-1946) in 1935. Photo by Carl von Vechten (1880-1964). Courtesy Wikimedia Commons.

Gertrude Stein
Occupation writer, poet
Nationality American
Literary movement Modernist literature
Signature 128px

Gertrude Stein (February 3, 1874 – July 27, 1946) was a modernist American poet, who is often viewed as one of the principal leaders and catalysts of the modernist movement in American literature . Stein became the figurehead for the entire "Lost Generation" of American expatriate artists and writers who lived in France during the period between the First and Second World Wars. Her influence, both directly as a writer and indirectly as a patron and supporter of her fellow artists, was inestimable in the development of American literature in the first half of the 20th century. Among those whom Stein took under her wing were novelists such as Ernest Hemingway, poets such as Ezra Pound, and artists such as Pablo Picasso.

By bringing a number of disaffected artists and writers together within her large social circle, Stein directly assisted in the rapid development of new and experimental ideas in both literature and the visual arts. Moreover, Stein's fiction, which is among the most abstract and formally innovative of all Modernist writing, would directly inspire a number of her contemporaries to continue their own experiments with form and content that would collectively revolutionize the landscape of 20th-century literature. Although Stein's works are not as famous or as widely taught as those of some of her colleagues and contemporaries, she is nevertheless acknowledged as one of the seminal influences in the history of 20th-century American fiction.



Gertrude Stein was born in Allegheny, Pennsylvania and lived there until the age of three, when she and her German-Jewish family moved first to Vienna and then to Paris. She returned to America with her family in 1878, settling in Oakland, California. After graduating from college in 1897, Stein spent the summer in Woods Hole, Massachusetts studying embryology at the Marine Biological Laboratory. This was followed by two years at Johns Hopkins Medical School. In 1901, she left Johns Hopkins without obtaining a degree. [1]

File:Stein by picasso.jpg

In 1902, Stein moved to France during the height of artistic creativity gathering in Montparnasse. From 1903 to 1912, she lived in Paris, where she met her life-long companion, Alice B. Toklas. During most of her life, Gertrude, like her siblings, lived off a stipend from her father's estate, which her brother Michael very capably stewarded and invested. After the success of her memoir "The Autobiography of Alice B. Toklas" in the mid-1930s, Stein became rich in her own right.

When Britain declared war on Germany in World War I, Stein and Toklas were visiting Alfred North Whitehead in England. Following the war, Stein began holding regular salons at her home at 27 Rue de Fleurus, which attracted many of the great artists and writers living in Paris at that time, including Ernest Hemingway, Ezra Pound, Henri Matisse, Thornton Wilder, Sherwood Anderson, and Guillaume Apollinaire. Around this time Stein coined the term "Lost Generation" for the generation of writers and artists living in the aftermath of World War I with its powerful assault on the hopes of many who who had thought history was progressing toward a freer, fairer, and more just society. At the personal level, Stein was extremely charming, eloquent, and cheerful, and she developed her salon gatherings into a large and highly productive social circle.

World War II and afterEdit

With the outbreak of World War II, the salons came to an end, and Stein and Toklas moved to a country home that they had rented for many years previously in Bilignin, Ain, in the Rhône-Alpes region. Referred to only as "Americans" by their neighbors, the Jewish Gertrude and Alice were able to escape persecution because of their friendship with Bernard Faÿ, a collaborator of the Vichy regime with connections to the Gestapo.

After the war, Gertrude's status in Paris grew when many young American soldiers visited her. She died at the age of 72 from stomach cancer in Neuilly-sur-Seine on July 27, 1946, and was interred in Paris in the Père Lachaise cemetery. In one account by Toklas,[2] when Stein was being wheeled into the operating room for surgery on her stomach, she asked Toklas, "What is the answer?" When Toklas did not answer, Stein said, "In that case, what is the question?"


After moving to Paris in 1903, Stein started to write in earnest: novels, plays, stories, libretti, and poems. Increasingly, she developed her own highly idiosyncratic, playful, occasionally repetitive, and sometimes humorous style. Typical quotes are:

"Rose is a rose is a rose is a rose."
"Out of kindness comes redness and out of rudeness comes rapid same question, out of an eye comes research, out of selection comes painful cattle."
"The change of color is likely and a difference a very little difference is prepared. Sugar is not a vegetable."

These stream-of-consciousness experiments, rhythmical word-paintings or "portraits," were designed to evoke "the excitingness of pure being" and can be seen as an answer to cubism in literature. Many of the experimental works such as Tender Buttons have since been interpreted by critics as a feminist reworking of patriarchal language. These works were loved by the avant-garde, but mainstream success initially remained elusive.

It is important not to underrate Stein's works immediately because of their seeming idiosyncrasies. As critic Judy Grahn says of Stein's work, "the whole field of the canvas is important." Rather than a "figure/ground" relationship, "Stein in her work with words used the entire text as a field in which every element mattered as much as any other." It is a subjective relationship that includes more than one viewpoint, and to quote Stein: "The important thing is that you must have deep down as the deepest thing in you a sense of equality."[3]

Though Stein influenced authors such as Ernest Hemingway and Richard Wright, her work has often been misunderstood. Composer Constant Lambert (1936) naively compares Stravinsky's choice of, "the drabbest and least significant phrases," in L'Histoire du Soldat to Gertrude Stein's in "Helen Furr and Georgine Skeene" (1922), specifically: "Everyday they were gay there, they were regularly gay there everyday," of which he contends that the, "effect would be equally appreciated by someone with no knowledge of English whatsoever."

In 1932, using an accessible style to accommodate the ordinary reading public, she wrote The Autobiography of Alice B. Toklas; the book would become her first best-seller. Despite the title, it was really her own autobiography.

Publications Edit

Main article: Gertrude Stein bibliography


  • Portrait of Mabel Dodge at the Villa Curonia. Florence, Italy: Privately printed, 1912.
  • Have They Attacked Mary, He Giggled. West Chester, Pa.: Horace F. Temple, 1917.
  • The Making of Americans, Being A History of A Family's Progress Paris: Contact Editions, 1925; New York: A. & C. Boni, 1926.
  • Descriptions of Literature Englewood, N.J.: George Platt Lynes & Adlai Harbeck, 1926.
  • Composition as Explanation London: Leonard & Virginia Wolf at the Hogarth Press, 1926.
  • A Book Concluding with As a Wife Has a Cow, A Love Story. Paris: Editions de la Galerie Simon, 1926; Barton, Millerton & Berlin: Something Else Press, 1973.
  • An Elucidation Paris: transition, 1927.
  • A Village Are You Ready Yet Not Yet, A Play in Four Acts Paris: Editions de la Galerie Simon, 1928.
  • Useful Knowledge. New York: Payson & Clarke, 1928.
  • An Acquaintance with Description (London: Seizin Press, 1929).
  • Lucy Church Amiably. Paris: Plain Edition, 1930; New York: Something Else Press, 1969.
  • Dix Portraits (English text with French translations by Georges Hugnet and Virgil Thomson). Paris: Libraire Gallimard, 1930.
  • Before the Flowers of Friendship Faded Friendship Faded, Written on a Poem by Georges Hugnet. Paris: Plain Edition, 1931.
  • How to Write . Paris: Plain Edition, 1931; Barton: Something Else Press, 1973.
  • Operas and Plays. Paris: Plain Edition, 1932.
  • The Autobiography of Alice B. Toklas New York: Harcourt, Brace, 1933.
  • Four Saints in Three Acts, An Opera To Be Sung. New York: Random House, 1934.
  • Portraits and Prayers New York: Random House, 1934.
  • Lectures in America New York: Random House, 1935.
  • Narration: Four Lectures . Chicago: University of Chicago Press, 1935.
  • The Geographical History of America or The Relation of Human Nature to the Human Mind. New York: Random House, 1936.
  • Is Dead . N. p.: Joyous Guard Press, 1937.
  • Everybody's Autobiography. New York: Random House, 1937.
  • A Wedding Bouquet, Ballet Music by Lord Berners, Words By Gertrude Stein. London: J. & W. Chester, 1938.
  • Picasso (English translation From Stein’s french version by Alice B. Toklas). New York: Scribners, 1939.
  • The World is Round. New York: William R. Scott, 1939.
  • Paris France. New York: Scribners, 1940.
  • What Are Masterpieces. California: Conference Press, 1940; expanded edition, New York: Pitman, 1970.
  • ida A Novel . New York: Random House, 1941.
  • The First Reader & Three Plays (Dublin & London: Maurice Fridberg, 1946; Boston: Houghton Mifflin, 1948).
  • Wars I Have Seen (New York: Random House, 1945; enlarged edition, London: Batsford, 1945).
  • Brewsie and Willie (New York: Random House, 1946).
  • In Savoy, or Yes Is for a Very Young Man (A Play of the Resistance in France) (London: Pushkin, 1946).

Short fictionEdit

Collected editionsEdit

Stein, Gertrude and Ulla E. Dydo (Editor). A Stein Reader (edited by Ulla E. Dydo). Northwestern University Press, 1993.

  • Gertrude Stein: Selections (edited by Joan Retallack). Berkeley, CA: University of California Press, 2008.
  • Literary Cubism: Geography and plays: Selected works of Gertrude Stein (edited by Laura Bonds & Shawn Connors). Travelling Press, 2011.

Except where noted, bibliographical information courtesy the Poetry Foundation.[4]

See alsoEdit


  • Behrens, Roy R. COOK BOOK: Gertrude Stein, William Cook and Le Corbusier. Dysart, IA: Bobolink Books, 2005. ISBN 0971324417
  • Burns, Edward, ed. The Letters of Gertrude Stein and Carl Van Vechten, 1913–1946. New York: Columbia University Press, 1986. ISBN 0231063083
  • Grahn, Judy. Really Reading Gertrude Stein: A Selected Anthology with Essays by Judy Grahn. Freedom, CA: The Crossing Press, 1989. ISBN 0895943808
  • Rice, William, Edward Burns, and Ulla E. Dydo. The Letters of Gertrude Stein and Thornton Wilder. Yale University Press, 1996. ISBN 0300067747
  • Stein, Gertrude. Gertrude Stein on Picasso. New York: W. W. Norton, 1970. ISBN 087140513X
  • Malcom, Janet, “Gertrude Stein's War.” New Yorker, June 2, 2003, 58–81.
  • Toklas, Alice B., and Edward Burns. Staying on Alone: Letters of Alice B. Toklas. New York: W. W. Norton, 1982. ISBN 0871401312
  • Truong, Monique. The Book of Salt. Boston: Houghton Mifflin Company, 2003. A novel about a young Vietnamese cook who worked in Stein's Montparnasse-household.


  1. Photo of Gertrude Stein at Johns Hopkins Medical School Retrieved May 10, 2007.
  2. Janet Malcom, “Someone Says Yes to It: Gertrude Stein, Alice B. Toklas, and ‘The Making of the Americans,’” New Yorker, June 13–20, 2005, 148–165.
  3. Judy Grahn, Really Reading Gertrude Stein: A Selected Anthology with Essays by Judy Grahn (Freedom, CA: The Crossing Press, 1989), 4. ISBN 0895943808
  4. Gertrude Stein 1874-1946, Poetry Foundation. Web, Mar. 7, 2015.

External links Edit

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